The Sandbaggers is a first-rate vintage British spy series that gives a layered inside view into where, how, and by whom decisions were taken to commit clandestine operators abroad in the later Cold War. A much later French parallel to the show might be Éric Rochant’s excellent The Bureau.
The Sandbaggers are a fictional Secret Intelligence Service (SIS) “special section” of several highly-trained ex-military men and women deployed abroad on sensitive missions. Each episode centers on a main incident in which the biggest fights take place first in administrative back channels of Whitehall among government ministries and their agencies. The Soviet KGB, Philbyphobia, and the UK’s “Special Relationship” with its US “Cousins” are natural ingredients.
Sandbagger chief Neil Burnside (Roy Marsden) exercises the "Special [UK-US] Relationship" with CIA case officer Jeff Ross (Bob Sherman) in the “The Sandbaggers” (1978-80). |
Roy Marsden stars as Neil Burnside, a former Sandbagger and director of operations under SIS C[ontrol] (Richard Vernon, whom the Beatles memorably teased in A Hard Day’s Night). C is a career diplomat without a professional intelligence background; his deputy is Matthew Peele (Jerome Willis). Burnside’s former father-in-law Sir Geoffrey Wellingham (Alan MacNaughtan) is permanent undersecretary at the Foreign Office (the civil service agency head under a politically-appointed foreign minister). Burnside’s Sandbagger One is Willie Caine (Ray Lonnen), a former sergeant in the Parachute Regiment, a working-class James Bond wannabe; one notable early Sandbagger Two is Laura Dickens (Diane Keen), a Bond-averse linguist and skilled operator. Burnside's long-suffering office secretary Diane Lawler (Elizabeth Bennett) may be of all the best informed. And Central Intelligence Agency case officer Jeff Ross (Bob Sherman) and Burnside help each other keep things real.
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Although the work of Sandbaggers such as Laura Dickens (Diane Keen) involves down time at the office, in the field it can demand life-or-death decisions at civil service rates. |
C: “Small consolation to the prime minister if he’s faced with an international incident.”
Burnside: “So that’s it?”
C: “Yes, Neil, that’s always it.”
Current US viewers may find episode 12, “It Can’t Happen Here,” of interest. The recent assassination of a liberal US senator chairing a committee on race prompts in-house discussion on suspected FBI involvement in the John F. Kennedy and Martin Luther King Jr. assassinations. Two Sandbaggers are seconded briefly to the US Secret Service as security for the senator’s successor. In the aftermath, British intelligence officials must consider options for handling a British cabinet minister believed to be a KGB agent but politically untouchable.
MP accessed the series on DVD via a public library. Do not be put off by the “Dr. Who” interiors: British television at the time videotaped interiors and shot on location with 16mm handheld cameras. This series is well-made and well-acted; the dialogue moves quickly and is inlaid with details such that the episodes keep well and are worth seeing more than one time.
The Sandbaggers 1978-1980 U.K. (twenty 50-minute episodes) Yorkshire Television/BFS Entertainment. Created by Ian Mackintosh; produced by Michael Ferguson and David Cunliffe.
“The Sandbaggers”: High intrigue and derring-do in the pre-digital world. |
*Mandarin comes from Sanskrit via colonial Portuguese for “counselor”. It refers to both Chinese imperial officials (guān) and the language of officialdom (官話, guānhuà) in the Beijing region, the longtime Chinese imperial center. The British apparently claimed the Portuguese word for their own imperial officials late in the 16th century.