An American naïf overcomes dire media perceptions and his wife’s fears to visit the new Soviet Union, fortified by high ideals and protected by a faithful cowboy companion in this ‘comedy about a Yankee’s curiosity, and his rewards.’
Mr. West also is a ringer for the US silent film star Harold Lloyd. In numerous films, Lloyd played an early twentieth century American Everyman, often saving the day with his own death-defying stunts. Lloyd may be best remembered now for a scene in which he hung from the hands of a large clock over downtown Los Angeles.
An 11-minute madcap chase scene involving automobiles and horse-drawn sleighs, motorcycles, high building fire escapes and rooftops, is a good early showcase of Kuleshov’s theories and the ability of his Film Workshop. Soon after Mr. West and Jeddie arrive in Moscow, a street urchin lights off with Mr. West’s soft leather briefcase. Later, Jeddie, riding on the roof of Mr. West’s car as though it were a stagecoach, jumps off to recover a suitcase that falls off and gets separated from his boss. The chase scene shows Jeddie’s energetic high-speed but ultimately unsuccessful effort to catch up to Mr. West.