A
satisfaction of Showtime’s Ray
Donovan
may be seeing
Hollywood’s and
other grossly over-privileged misbehavers meet their match in a
bare-knuckle
family from Southie.
The title
character Ray (Liev Schreiber) is a Hollywood fixer with roots in
South Boston’s one-time hardscrabble
Irish
neighborhood. The ex-Southies wear their accents like casual
sportswear. Los Angeles characters and plots emerge from between the
lines of film noir’s golden age—it all was there before unspoken. |
Ian
McShane and Katie Holmes as father and daughter in a James
Ellroyesque subplot
involving an NFL franchise in Showtime’s Ray
Donovan.
|
Schreiber’s
Ray is the more realistic underplayed: a menagerie of other
characters more than make up for his
low key.
From boyhood Ray has read people better than words. He speaks
in
short declarative sentences. He makes himself a
cipher and
has “a special talent for violence”. His super power is
his ability
to read people’s weaknesses clearly and act effectively on them.
His
kryptonite
is his “Fawdda” Mickey (Jon Voight), a sociopathic small-time
Southie hood and jailbird, because a sociopath is a blank page. |
“Fawdda”
(Jon Voight) and son Ray Ray (Liev Schreiber) in
Showtime’s Ray
Donovan.
|
Ann
Biderman’s
seven-season series is unusual in that what one might first
take for a set formula and characters—such as Hollywood Hostess
Twinkies serially pulled
from steamy
water and Evil Media Emperors getting their due—is a family drama
in which characters grow and develop as their circumstances and
settings change. It helps not to get too attached to any formula,
situation, or character. |
Susan
Sarandon’s media mogul Samantha Winslow takes a mile before an inch
is offered in Showtime’s Ray
Donovan.
|
It once
was said that
the only living creature which could survive an
atomic blast
is the cockroach. This show adds Mickey Donovan to that list.
His
speech patterns, addytoods, body language, and manipulations eerily
foreshadow a political figure who took national center stage several
years after the 2013 series debut.
Mickey is as charming as he is surreally creepy. Voight received a
2014 Golden Globe Award for the role and was nominated again the
following year. |
“Fawdda”
Donovan as
though eerily
channels a coming
political
phenomenon in
Showtime’s Ray
Donovan.
|
The
series opens with Mickey’s release from Massachusetts state prison
five years short of a twenty-five-year stretch for the murder he didn’t
commit. There are plenty more where that came from: he notches his
pistol on the ride home. Viewers then see his son Ray go about an
everyday routine in Los Angeles. But it is through
Mickey that viewers meet the other sons: stand-up Terry (Eddie Marsan
channeling Burgess Meredith), priest-haunted, sad sack Brendan “Bunchy” (Dash
Mihok), and their younger, eager-for-approval, Black half-brother
Daryll (Pooch Hall). |
Donovan
brothers Bunchy (Dash Mihok), Daryll (Pooch Hall), and Terry (Eddie
Marsan).
|
Ray’s
backstory is that he left “collection work” in Boston to go West
with his mentor Ezra Goldman (Elliott Gould). He made good. He
brought his wife Abby (Paula Malcomson) to LA the way immigrants
brought their wives from the Old Country after they set themselves
up. Ray
and Abby have two Angelino children, Bridget (Kerris Dorsey) and
Connor (Devon Bagby). They try to gentrify the family in Calabasas—a
San Fernando Valley McMansion
fiefdom
which Abby in her Southie accent cut with a meat cleavah critiques as
“the friggin’ Jersey Shore of LA.” Ray sets up his brothers
Terry and Bunchy in a fight club in Hollywood.
|
Bridget
(Kerris Dorsey) and Connor (Devon Bagby) seek light in the shade of
the Donovan tree from mother Abby (Paula Malcomson).
|
Ray
and his team, Avi (Steven Bauer), an ex-Mossad operative, and the
versatile Lena (Katherine Moennig), an office manager with a mean
right hook, manually
photoshop
the peccadilloes of Hollywood’s rich and famous. As his lawyer
complains of
a celebrity client:
“Suck one cock, you’re a cocksucker for life; get caught in bed
with a dead girl, admit to a drug problem, go to rehab: no problem.”
The work gets more challenging as the seasons progress, more like
riding a death-defying roller coaster creating its own track on the
fly. |
Ray’s
team: versatile Lena
(Katherine Moennig) of the mean right hook and ex-Mossad operative Avi (Steven Bauer).
|
They tangle with progressively
richer, more powerful, and scarier clients and adversaries, from
movie studio
and real estate moguls
to mobsters and finally the mayor and police department of New York.
But Ray’s sworn lifelong—and often resented—mission of trying
to protect his family gets more difficult as the stakes rise.
The
children
grow up. Various family members are in and out of county,
state,
and federal lock-up more quickly than Dorothy noticed characters come
and go in The
Wizard of Oz.
Ray’s intensely stressful days and nights swing more and more
wildly between his occupational
roller coaster and a similar family vehicle hurtling no less
willy-nilly in the opposite direction. |
James
Wood does a bang-up Whitey Bulger, with Avi (Steven Bauer) in
Showtime’s Ray
Donovan.
|
One
of the show’s pleasures are familiar faces that
turn up along the way: James Woods as a version of James “Whitey”
Bulger, Hank Azaria, Rosanna Arquette, Wendell Pierce and Domenick
Lombardozzi of The
Wire,
James and Stacy Keach, Diane
Ladd,
Susan Sarandon, Alan Alda, and many others. Sandy Martin
rates
special mention for chomping scenery alongside Voight as a
rollickingly updated Southie
Mrs.
Gamp. |
Mickey (Jon Voight) and Aunt Sandy
(Sandy Martin) chomp scenery in Showtime’s
Ray
Donovan.
|
Another
pleasure is the series music, credited to Marcelo Zarvos. Classic pop
songs
can
be as cliché as period settings they background. Here the classics
turn up where expected but mix with lovely new
interpretations which
echo moods and often color settings for episode codas. |
Motel
Lady (Diane Ladd) to Mickey (Jon Voight): “It doesn’t lick
itself.”
|
The seasons change from one to the
next, each posing “a lotta ins, a lotta outs, a lotta
what-have-yous,” a cast of hundreds, family
drama, and a great deal more
of everything than MP has touched on here to avoid plot spoilers.
Look at me:
it gets bettah…
Ray Donovan (2013-20) U.S.
Showtime. Creator: Ann
Biderman.
Beautiful send up. Makes me wish for the time to watch in a stretch. Bingeworthy
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